General Information:

Name: Totally Tina

Location: Merseyside

Band Members: Justine, Corin, Jimmy, Geoff, Simon.

Main Category: Tribute/Theme Bands

Other Categories: Awards Ceremonies, Christmas Parties, Corporate, Events, Live Music, Live Bands, Media, Promotional Events, Tribute/Theme Bands, Weddings

Timings:

Standard Set Times: 2 x 45 min or 1 x 90 min

Set Up Time:

Usual Arrival Time:

Usual Finish Time:

Sound & Lighting:

PA suitable for: Any size. Above 200 capacity may incur extra charge

Stage Lighting: Yes

Dance Floor Lighting:

Free use of PA via iPod:

DJ included:

Star Cloth:

Other Requirements

Hospitality/Artist Rider: Dressing Room. The organiser will provide 2 secure private dressing rooms with comfortable seating for 10 people (5 in each), near the stage. It shoul

Technical Requirement: Stage. The stage (or performance area): The stage is to be a sturdy, single level platform, at
least 6m (20’) wide x 4m (16’) deep. A drum riser is optional. If there is to be a dance floor, it
should be centred, directly in front of the stage, with no obstruction (tables, decor, etc.) between
the stage and dance floor.
The Band. Totally Tina comprises at least 5 musicians with a maximum of 11 (including 4
dancers). Totally Tina retains the right to add, subtract, or change band members and crew
without notice.
Sound system. A quality sound system is critical to Totally Tina's performance. Totally Tina
requires a sound system consisting of at least the following:
• Minimum 24 channel mixing desk, with 3 or 4 band input channel EQ (sweepable mid), 6
aux sends, 4 sub-groups, and a stereo house mix.
• Mixer to be in front of stage, ideally centrally positioned. A multicore (snake) with at least
20 mic lines from the stage.
• A knowledgeable system technician should be available to assist
• 3-way speaker system (including subwoofers) suitable for the venue, with appropriate
cabling, power amps, equalisers, and crossovers.
• Mics with clips, on appropriate stands as follows:
Channel Name Preferred Mic
1 Kick Audix D6/ Shure Beta 91A
2 Snare Shure Beta 57/ Audix I5
3 Hi-Hat High Quality Condenser
4 Rack Tom 1 Sennheiser E604/ Audix D2
5 Rack Tom 2 Sennheiser E604/ Audix D2
6 Floor Tom Sennheiser E604/ Audix D4
7 Overhead High Quality Condenser
8 Click D.I Box
9 Playback D.I Box
10 Bass D.I from amp
11 Spare
12 Jimmy Guitar Shure Beta 57
13 Simon Bottom Keys D.I Box
14 Simon Top Keys D.I Box
15 Spare Vocal Handheld Radio Mic
16 Geoff Vocal (Stage Right) Shure Beta 58
17 Jimmy Vocal (Back Centre) Provided by band
18 Justine Vocal (Front Centre) Handheld Radio Mic
19 Reverb Return
20 Delay Return
21 iPod
22 iPod
Drummer uses IEM's (Provided by Band), a total of 6 monitor mixes is ideal. Stage
monitors required for Bass, Guitar, Keyboards, Main Vocal.
Monitors/side fill speakers should be provided for general stage coverage for dancers
A Delay unit with Tap Function and Reverb Unit are required
Input Channels required - 22
Output Channels required - 7 pre fade Auxes, 2 Post fade Auxes (to FX units), L & R
Where a suitable sound system is not available, additional equipment will be provided by Titan
Tour Productions, (contact Charlotte Gallimore: charlotte@titantourproductions.com mobile:
07894 868750).
Power requirements. Totally Tina requires at least four separate 13A sockets on stage.
Lighting. Where stage lighting is being provided, the lighting director will need full access to the
venue's lighting desk and house rig.
We need a four colour wash to cover the whole stage with red, blue, amber and bright pink and
a downstage open white wash.
7 specials, to include 1 wide soft focus d/s centre special from a FOH bar, 4 down lights o/w
hard focus downstage, 1 upstage left and 1 backlight centre stage.
Glitter ball if available
Recording. The performance will not be recorded or transmitted without the prior consent of
Totally Tina. If this is given, the organiser will supply a copy of the unedited audio or video
recording to Totally Tina at no cost to Totally Tina.
Incidental music. Pre-show and intermission music, as provided by a DJ, opening act, or
sound company, should not include songs on Totally Tina's's current set list (provided at the
event).
Audience. The organiser will not allow stage access to audience members. The organiser is
responsible for loss, or damage to equipment, personnel, or vehicles due to inadequate
security, or an unruly audience.
Loading access. Clear access to the load-in area is required from 2pm for an evening
performance
Parking. The organiser will provide parking, as close to the stage as possible, for up to four
vehicles at no cost to Totally Tina.
Stage access. Totally Tina and their accompanying personnel shall be allowed complete
access to stage, backstage, and performance areas. If necessary, the organiser will provide
back stage passes, badges, or other identification to allow access.